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PART 2/2 : STREET PHOTOGRAPHY AT BETONG. (6 PICTURE)

By October 2011, the population was nearly 94,000, the majority being Ibans (51,290), followed by Malays (37,283), Chinese (5,084), Bidayuh (225), and Melanau (219), while the remaining are other races. As a way to ensure the development of human capital to meet the demands of Sarawak Corridor of Renewable Energy (SCORE) and other major projects in the State, major investments are made in the development of educational facilities like vocational schools and polytechnics. This is expected to encourage more local and foreign investors to come to Betong and explore opportunities they never knew Betong had. In recognition of Betong’s rich history, rapid growth and contribution to Sarawak's economy, it was accorded Division status in 2002. It was then selected to become the administrative division centre. The areas of administration include the Saratok District and the Betong District. Betong has also been expanded to cover the Small District of Maludam, which had been under th
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STREET PHOTOGRAPHY : FRAMING AND TIMING


The street photographer can be seen as an extension of the flâneur, an observer of the streets (who was often a writer or artist).

Framing and timing can be key aspects of the craft with the aim of some street photography being to create images at a decisive or poignant moment.

Street photography can focus on people and their behavior in public, thereby also recording people's history. This motivation entails having also to navigate or negotiate changing expectations and laws of privacy, security and property. 

In this respect the street photographer is similar to social documentary photographers or photojournalists who also work in public places, but with the aim of capturing newsworthy events; any of these photographers' images may capture people and property visible within or from public places. 

The existence of services like Google Street View, recording public space at a massive scale, and the burgeoning trend of self-photography (selfies), further complicate ethical issues reflected in attitudes to street photography.

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